So is Faustus a Goth? 1/11/2011

So we have beena sked to blog about whether Faustus is truly a Gothic character or a tragic one instead.
I would argue that he is a mixture of both as he has a number of tragic and gothic character traits:

Gothic Traits

1. At the very start of the play Faustus has a strong passion for knowledge, particularly in the 'gothic' art of necromancy-dark magic. His desires for 'power', 'honor' and 'omnipotence' at the start of the play could be described as obsessive through the fact he sells his soul to the devil as a means of achieving them. What is tragic however is that once he has sold his soul, the passions and ambitions that Faustus held at the start of the play ebb away and he is content to be satisfied by Mephistopheles taking control and doing everything for him.
2. Faustus is an intelligent man, this can be seen through his dismillas of great subjects of knowledge including 'law', 'medicine' and philosophy and belittling the works of the great masters of these subjects e.g. 'St Justinian'. Tragically by the end of the play he wishes he had never opened a book, 'never read book!'[act 5] showing that he recognizes his intelligence has caused his downfall.
3. Linked to an idea of corruption- Mephistopheles corrupts Faustus throughout the playthrough: getting him to sell his soul and not allowing him to do the things that he desired when the bargain was made.
4. Inhuman in some way- he sells his soul!

BIG TRAGIC TRAIT

1. Hubris!!- Faustus' arrogance and pride causes him to sell his soul and prevents him from repenting at the end of the play.

The Other Side of the Argument... or is it? (13/10/2011)

Not really blogged for a while so thought I was over due a post. This past week we have been examining the question 'How far do you agree that Faustus has fallen in grace by Act iv?'. When I initially wrote the essay on Thursday afternoon I decided to be non-controversial and agree with the question. However, when I went out of the room to discuss my work with Mr. Francis I realised that actually I completely disagreed that Fautsus had fallen in grace at all- I just wasn't confident in taking a stance that completely opposed the question. I'm going to use this blog to explain my actual position, and the one that I will take in June if the question comes up again.

The crux of my argument that Faustus doesn't fall from grace by act iv is basically that he was never a nice person to begin with. My understanding of 'falling from grace' is that one has to be in a morally superior position at the start and a much lower position by then end. If we look at Faustus however, he is clearly presented as an arrogant, obnoxious, aetheistic, rude man in act i. Plainly, this is not in any way, shape, or form a morally superior position. The Faustus in scene one is not at all the sort of man that anyone would particularly like to meet. If Faustus' characterisation in scene i is contrasted with his character in scene iv a definite change can however be spotted. Faustus is meeker, he has lost his arrogance and in many respects could be regarded as helpless e.g. his dependence on Mephi. The sharp edges of Fautsus' character in scene one have been worn down over the years follwing the selling of his soul and actually it could be argued that Faustus hasn't fallen from grace because his experiences have actually graced him with tiny little bit of humility.

Another point, although I've been told not to get hung up on it, is that 'fallen from grace'- like it or not- does have religious connotations. At the tiume that Faustus was written all of Christendom (and the H.R.E where the play is set) would have understood 'fallen from grace' to be falling from the will of God. I may be being pedantic but Faustus sells his soul in the first act, let's face it you can't show that you disagree more with God than that. Case closed by act one, not act iv, surely?

Or maybe not. The phrase 'fallen from grace' is ambigious, and as I've already pointed out my understandings of it lead to the question appearing quite frankly irrelevent/pointless. I don't think Fautsus falls from grace by act iv, if he does fall in the semantic sense it is in act i, otherwise he does not. There is however a character change in Faustus which is noticeable as the play progresses. His ambitions die. I may not like Faustus, but I would be mad to deny that it is his ambitions that are the life force behind the character. By the time that the play reaches act iv, they have been erroded away and replaced by melancholy acceptance that Fautsus is not destined for greatness but to act as a servant or jester- to entertain others. At least at the start of the place Fautsus has an interesting albeit despicable charcter, by Act iv he is completely void of any of the spark he once had. It's funny but the audience really do get to see the devil suck Faustus' soul from him through the play. I'm not sure whetehr this change in character can be called a fall from grace but whatever it is it is noticeable and it does happen to a large extent.

Things aren't looking great for Fautsus (4/10/2011)

Last week Mr Francis asked us to consider the question, 'How does Faustus fall further in act 4?' I'm going to quite with my usual waffle at the start of blog posts and just get into answering that very question.

It is obvious even from the chorus that begins act 4 that Faustus has completely abandoned his ambitions, "of power, of honour, of omnipotence" that he presented in act one. Instead Faustus is content to be "feasted 'mongst his (Charles V) noblemen". No longer does Faustus crave to control the whole world as a kind of God, he is happy to settle for "fame spread forth in every land". In this sense, Faustus' character has fallen further in act 4 because the very ambitions that drove him to sell his soul to the devil (the ultimate sacrifice) are no longer present in him making the decision seem completely pointless. At this point I'd like to point out that I think, Marlowe was being very clever in his choice of Charles V as the Emporer that Faustus meets. Charles V was a man who fulfilled many of the ambitions that Faustus once held, controlling the majority of the discovered world at the time of his reign as King of Spain and Holy Roman Emporer. Marlowe's choice of Charles V to star opposite Faustus in this scene would therefore suggest that he was trying to emphasise the difference between Faustus' old ambitions and what he prepared for in scene 4.

Further evidence of Faustus falling in Act 4, can be found in the way that he suddenly discovers humility, declaring himself, "far inferior to the report men have published (of his skill with magic)". It is strange in a sense that Faustus loses his arrogance, a negative character trait, after he sells his soul to evil as one might have expected him to seek further into his ungodly character traits shown at the start of the play. I think that Faustus acknowledgement that his skills actually aren't that great as well as the fact he recognizes he is not equal to Charles V, "...nothing answerable to the honour of your Imperial Majesty" show that he has lost faith in himself, which in itself surely evidence that he has fallen further.

Interestingly enough, throughout the scene the people that Faustus meets become of gradually lower and lower status. Faustus initally, uses his sorcery to please Charles V by summoning the spirit of Alexander the Great, yet by the end of [4.2] he has been asked to summon some grapes for a Duchess. The difference in status between the individuals is obviously great, one is one of the greatest King's ever and the other a mere woman. However it is the difference in the tasks assigned to Faustus that show a real marked difference, summoning the ghost of Alexander the Great seems much more complex then conjuring up some grapes. It is almost as if by the end of Act 4 not only have Faustus' ambitions faded but also his fame has too.

Very quickly, I would just like to finally point out that throughout scene 4 it is Mephistopheles that does the actual magic, Faustus merely tells him to do so. If one reflects back to the beginning of the play Fautus himself managed to summon Mephistopheles yet it seems that even though he sold his soul to the devil to become better at magic, his use of magic has actually decreased. A bitter irony. Note also, Faustus crying out to Mephistopheles, "Help, Mephistopheles!" when a rogue man pulls Faustus leg off (really didn't get what was going on there- literal or figurative?). It strikes me that Faustus' reliance on Mephistopheles to do everything for him is arguably further evidence of his fall as he is no longer able to do anything for himself.